CLASSICAL MUSIC
Soprano Valeria Esposito immersed herself fully in the central role of Amina, the sleepwalking damsel whose nocturnal perambulations endanger her engagement to her jealous fiance, Elvino. Esposito’s voice maintained its power, focus and purity across the registers, especially in the the stratospheric notes that constantly arise in this 1831 bel canto opera. The promising young Canada Goose Parka American tenor Gregory Kunde was an ardent if benighted Elvino, displaying a well supported, golden Canada Goose Jackets voice that buy canada goose jacket cheap occasionally edged toward the small side. Bass Elia Todisco brought stentorian force to the part of Count Rodolfo, while soprano Penny Shumate was Canada Goose Online a fine Lisa, the scheming innkeeper. Mezzo soprano Angela Horn and baritone Brendan Cooke also made passionate Canada Goose Outlet contributions.
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Canadian mezzo soprano Anita Krause doled out her rich and flexible tone in the canada goose outlet vancouver part of Judith. Krause’s gorgeously dusky and plaintive approach worked well with her Bluebeard, the Hungarian baritone Peter Fried. As Judith learns her fate, unlocking the uk canada goose castle doors that reveal aspects of Bluebeard’s torturous past, Krause’s sound shifted from gleaming wonder canada goose uk black friday to grim horror. Fried sensitively portrayed a tormented soul, showing an idiomatic feel for pacing and delivery.
Ryan teased out a somber palette cheap canada goose uk of musical colors to accompany the taut drama. Melancholic strings, earthy woodwinds and burnished brass conjured up darkly opulent textures that had shades of Debussy, Strauss and Wagner.
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